GARDEN WALL MAGAZINE
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The Year I Didn't Kill Myself















​


​Intake Appointment














At night, I listen to my neighbors fucking

I wanted to live. I wanted to swirl
like a river-eddy, undulant and capillary, shining

as gasoline-film on the skin
of a still pond. I wanted to fluoresce,

to electrify, to lick acidic soil from the creases
of my palms. There is something terrifying

about surviving, and yet so grand, like an apple tree
twisted by the wind. That year, I knew the risk

and begged for more, pumped hot breath into the world
like a shining, monstrous mellophone

marched across a field of hardened clay.
I wanted to live like I wanted to whistle

with my fingers in my mouth, all aspiration
and cold spit. The foghorns blew

in mourning. The carob trees dropped seed-pods
in grotesque, blackened curls. That year, I wanted to live

like I wanted to die: tangled in green weeds,
the sky above me swooping its magnificent

blue wefts. The river was a wet-nurse for my hunger.
The waterfalls were always swelled with rain.










​​





​
When the new psychiatrist asks me What was your
childhood like
I don’t know how to tell him

it was an open pit yawning in front of me,
a marble rolled across a slanted floor, industrial carpeting

prostrate beneath, spilled legs
sprawled across the basement. I don’t say that is the worst

thing you could ask someone like me, a man who only forms stories
from swamps, my narratives all soggy and unbordered

and falling from the sky in flakes like snow. I give him
scrap-scrawled napkins, hazy images, untelling everything,

everything—salmonberries crushed on pavement, warm rain
rolling through my fingertips like names. He ups my meds; I log off
​
the video call. In the end, I am alone
in this new room.











​​




​


which is much less sexy
than it sounds, a whole
lot more

depressing. Outside,
the frozen spruce trees
slump down

in that cold, mammalian
sag. Listen: I’ve
shared walls with more

bodies than a
graveyard. I know
the rising tempo

of a metal bed
-frame screwed
together with a

flimsy Allen
wrench, then the long
crescendo

of an orgasm
through dry
-wall. Though it’s

freezing outside, sometimes
they leave the window
open so I even hear them

moaning
as I’m taking out
the trash. And the sky

is dark with its
one lover, rotational
inertia. And the moon

becomes another deep
-sea fish. It’s true: a body never
looks for lone

-liness—sometimes it
forms a heavy crust
of snow. Above us, radiation

from the sun excites
high atmospheric gases
so much that they glow. In

the morning, I can’t
remember if the sounds I heard
were real or if

I dreamed them. I think
if you asked me I’d say
I don’t really want
​
to know.



Zeke Shomler earned a Combined MA/MFA from the University of Alaska Fairbanks. He now teaches writing and high school mathematics. His work has appeared in AGNI, Folio, The Shore, and elsewhere. More can be found at zekeshomler.com.
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